Embedded Files
Parametric Tail 2018
Afromosia
24 × 36 × 8 in.
Exhibited at Gowanus Art Walks, NY
CNC-cut layered wood sculpture inspired by biomimicry and oscillation. Designed through parametric modeling in Fusion 360, this piece explores the dialogue between natural forms and digital fabrication.
Biohazard (Sign Series) 2018
CNC engraved MDF panel, enamel finish
18 × 18 × 1 in.
Dark Star machined medium density fiber and paint 2016
Ossicle Form Cast Iron 2011
Self Portrait digital 3d print and cherry wood 2014
Belt Rack found objects and steel wire 2013
Capsized Cast Aluminum, Beech Wood, Steel 2010
Waveform 2008
Wood and metal, mixed media
Exhibited: Hillwood Museum, Faculty Exhibit
Waveform explores the collision of natural and industrial forms. Wood and twisted metal rise in dynamic tension, evoking movement, fracture, and resilience.
Waveform detail 2008
Wood and metal, mixed media
Stumpslicer wood, steel and cast iron base 2005
Brace 2008
Wood, steel, found objects
14 x 12 x 8 in. Exhibited at The Second Avenue Firehouse Gallery, Bay Shore NY
A suspended gesture in steel and wood. Brace captures the memory of rotation, its shadow cast forward like a root system anchoring motion to ground.
Sprawl Core 2006
Locust wood, steel
Approx. 10' × 9' × 8'
Exhibited at Long Island University Hillwood Museum
Wood anchors a lattice of cut steel, assembled to emphasize upward sprawl. Lighting was staged to cast deliberate shadows across the concrete floor, extending the sculpture’s reach beyond its physical mass. These shadows form a secondary system — a root-like reflection that grounds the piece.
Stairboat insullation foam and wood 2005
Winged Wave House 1 wood found objects and led light 2009
Winged Wave House detail, wood found objects and led light 2009
Mask welded steel 2010
Scanners acrylic and cold bent steel 2002
Aesops Lion wood, plaster, mixed media 2009
Aesops Lion detail, wood, plaster, mixed media 2009
Title: Aphid Form 1
Medium: Welded aluminum with rebar stem and steel plate baseExhibited: Sculptors Guild Building Gallery 110 Green Street NYC 2009
Title: Aphid Form 2
Medium: Welded aluminum with rebar stem and steel plate base
This sculpture merges industrial materials with organic inspiration, evoking both insect and floral forms. The title is a subtle nod to Philip K. Dick, reflecting themes of transformation and fixation beneath the surface.
Straddler 1998
Eucalyptus Root, Pine, Steel
Exhibited at Peggy Phelps Gallery
Claremont, Ca
Straddler reflects an ongoing investigation into the tensions between natural and industrial materials. The use of eucalyptus root recalls the tree’s introduction to Southern California in 1853 as a proposed solution to lumber shortages. A promise that proved impractical due to its difficult workability and later reclassification as an invasive species. By juxtaposing eucalyptus with steel plate, the sculpture engages with histories of adaptation, failure, and persistence embedded in the region’s landscape.
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